I have made more friends for American culture than the State Department. Certainly I have made fewer enemies, but that isn't very difficult.
A good newspaper, I suppose, is a nation talking to itself.
A play is made by sensing how the forces in life simulate ignorance-you set free the concealed irony, the deadly joke.
A playwright lives in an occupied country. And if you can't live that way you don't stay.
All we are is a lot of talking nitrogen.
Can anyone remember love? It's like trying to summon up the smell of roses in a cellar. You might see a rose, but never the perfume.
Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author.
He wants to live on through something-and in his case, his masterpiece is his son. all of us want that, and it gets more poignant as we get more anonymous in this world.
He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid.
I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act.
I love her too, but our neuroses just don't match.
I think now that the great thing is not so much the formulation of an answer for myself, for the theater, or the play-but rather the most accurate possible statement of the problem.
I understand Willy Loman's longing for immortality Willy's writing his name in a cake of ice on a hot day, but he wishes he were writing in stone.
I'm the end of the line; absurd and appalling as it may seem, serious
If I have any justification for having lived it's simply, I'm nothing but faults, failures and so on, but I have tried to make a good pair of shoes. There's some value in that.
If I see an ending, I can work backward.
In the theater, while you recognized that you were looking at a house, it was a house in quotation marks. On screen, the quotation marks tend to be blotted out by the camera.
Maybe all one can do is hope to end up with the right regrets.
That is a very good question. I don't know the answer. But can you tell me the name of a classical Greek shoemaker?
The apple cannot be stuck back on the Tree of Knowledge; once we begin to see, we are doomed and challenged to seek the strength to see more, not less.
The best of our theater is standing on tiptoe, striving to see over the shoulders of father and mother. The worst is exploiting and wallowing in the self-pity of adolescence and obsessive keyhole sexuality. The way out, as the poet says, is always through.
The closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.
The job is to ask questions-it always was-and to ask them as inexorably as I can. And to face the absence of precise answers with a certain humility.
The number of elements that have to go into a hit would break a computer down. the right season for that play, the right historical moment, the right tonality.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
The structure of a play is always the story of how the birds came home to roost.
The theater is so endlessly fascinating because it's so accidental. It's so much like life.
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
What is the most innocent place in any country? Is it not the insane asylum? These people drift through life truly innocent, unable to see into themselves at all.
Where choice begins, Paradise ends, innocence ends, for what is
Without alienation, there can be no politics.
You cannot catch a child's spirit by running after it; you must stand still and for love it will soon itself return.
You specialize in something until one day you find it is specialising in you.